Joseph Heintz the Elder

the Elder (Basle, 11 June 1564 - near Prague, Bohemia, October 1609) was a Swiss painter, draftsman and architect. He appears to have been a pupil of Hans Bock, and to have educated himself by diligent practice in copying the works of Hans Holbein the younger. Between 1585 and 1587 he lived in Rome, registering himself a pupil; to Hans von Aachen. He next settled in Bohemia in 1591, and was at once appointed court painter to Rudolf II, but he remained in Prague for two years only, as in 1593 he was commissioned to make some copies from the antique for the emperor, and for that purpose went to Rome, where he spent some years. In 1604 we hear of him in Augsburg, and from the time we know little of his history, until his decease is recorded in a village outside of Prague. Heintz's paintings included religious images, portraits, and, following the emperor's taste, erotic mythological themes. They were at one time in high demand, but later on suffered an eclipse. Among them are a family portrait in Berne and that of Rudolf II in Vienna. He was constantly investigating subtle questions of light, and almost all of his landscapes show the interest he took in this technical matter. A notable work by him is the Rape of Proserpine, which hangs in the Dresden Gallery, and was engraved by Lukas Kilian; in the same gallery are two other works, Lot and His Daughters and Ecce Homo. Finally there is his portrait of Constance of Austria. He had a son, who bore the same name, and who painted a few religious pictures; several of these works hitherto attributed to the son are now believed to be late productions by the father.
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Joseph Heintz the Elder The Fall of Phaeton oil painting


The Fall of Phaeton
Gemälde ID::  86905
Siehe Galerie in Schweden
The Fall of Phaeton
Date 1596(1596) Medium Oil on wood Dimensions Height: 122.5 cm (48.2 in). Width: 66.5 cm (26.2 in). cjr
Date_1596(1596) _ Medium_Oil_on_wood _ Dimensions_Height:_122.5_cm_(48.2_in)._Width:_66.5_cm_(26.2_in). _ cjr
   
   
     

Joseph Heintz the Elder Liegender weiblicher Akt oil painting


Liegender weiblicher Akt
Gemälde ID::  86906
Siehe Galerie in Schweden
Liegender weiblicher Akt
Date c. 1600(1600) Medium Oil on wood Dimensions 80 x 162 cm (31.5 x 63.8 in) cjr
Date_c._1600(1600) _ Medium_Oil_on_wood _ Dimensions_80__x__162_cm_(31.5__x__63.8_in) _ cjr
   
   
     

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Vorheriger Künstler       Nächster Künstler     

     Joseph Heintz the Elder
     the Elder (Basle, 11 June 1564 - near Prague, Bohemia, October 1609) was a Swiss painter, draftsman and architect. He appears to have been a pupil of Hans Bock, and to have educated himself by diligent practice in copying the works of Hans Holbein the younger. Between 1585 and 1587 he lived in Rome, registering himself a pupil; to Hans von Aachen. He next settled in Bohemia in 1591, and was at once appointed court painter to Rudolf II, but he remained in Prague for two years only, as in 1593 he was commissioned to make some copies from the antique for the emperor, and for that purpose went to Rome, where he spent some years. In 1604 we hear of him in Augsburg, and from the time we know little of his history, until his decease is recorded in a village outside of Prague. Heintz's paintings included religious images, portraits, and, following the emperor's taste, erotic mythological themes. They were at one time in high demand, but later on suffered an eclipse. Among them are a family portrait in Berne and that of Rudolf II in Vienna. He was constantly investigating subtle questions of light, and almost all of his landscapes show the interest he took in this technical matter. A notable work by him is the Rape of Proserpine, which hangs in the Dresden Gallery, and was engraved by Lukas Kilian; in the same gallery are two other works, Lot and His Daughters and Ecce Homo. Finally there is his portrait of Constance of Austria. He had a son, who bore the same name, and who painted a few religious pictures; several of these works hitherto attributed to the son are now believed to be late productions by the father.

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